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1741 AD (search for this): section 1447a
LetThe text here printed is based on Vahlen's third edition（Leipzig, 1885）, and the chief deviations from it are noted at the foot of each page. The prime source of all existing texts of the Poetics is the eleventh century Paris manuscript, No. 1741, designated as Ac. To the manuscripts of the Renaissance few, except Dr. Margoliouth, now assign any independent value, but they contain useful suggestions for the correction of obvious errors and defects in Ac. These are here designated “copies.”V. stands for Vahlen's third edition, and By. for the late Professor Ingram Bywater, who has earned the gratitude and admiration of all students of the Poetics by his services both to the text and to its interpretation. Then there is the Arabic transcript. Translated in the eleventh century from a Syriac translation made in the eighth century, it appears to make little sense, but sometimes gives dim visions of the readings of a manus
Paris (France) (search for this): section 1447a
LetThe text here printed is based on Vahlen's third edition（Leipzig, 1885）, and the chief deviations from it are noted at the foot of each page. The prime source of all existing texts of the Poetics is the eleventh century Paris manuscript, No. 1741, designated as Ac. To the manuscripts of the Renaissance few, except Dr. Margoliouth, now assign any independent value, but they contain useful suggestions for the correction of obvious errors and defects in Ac. These are here designated “copies.”V. stands for Vahlen's third edition, and By. for the late Professor Ingram Bywater, who has earned the gratitude and admiration of all students of the Poetics by his services both to the text and to its interpretation. Then there is the Arabic transcript. Translated in the eleventh century from a Syriac translation made in the eighth century, it appears to make little sense, but sometimes gives dim visions of the readings of a manu
Leipzig (Saxony, Germany) (search for this): section 1447a
LetThe text here printed is based on Vahlen's third edition（Leipzig, 1885）, and the chief deviations from it are noted at the foot of each page. The prime source of all existing texts of the Poetics is the eleventh century Paris manuscript, No. 1741, designated as Ac. To the manuscripts of the Renaissance few, except Dr. Margoliouth, now assign any independent value, but they contain useful suggestions for the correction of obvious errors and defects in Ac. These are here designated “copies.”V. stands for Vahlen's third edition, and By. for the late Professor Ingram Bywater, who has earned the gratitude and admiration of all students of the Poetics by his services both to the text and to its interpretation. Then there is the Arabic transcript. Translated in the eleventh century from a Syriac translation made in the eighth century, it appears to make little sense, but sometimes gives dim visions of the readings of a manu