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t mentioned by any of the ancient authors. It is certain, however, that he was a contemporary of Phidias, for he executed a statue of Apollo Alexicacos, who was believed to have stopped the plague at Athens. (Paus. 1.3.3.) Besides he worked at a chariot, which Dinomenes, the son of Hiero, caused to be made by Onatas in memory of his father's victory at Olympia. (Paus. 6.12.1, 8.42.4.) This chariot was consecrated by Dinomenes after Hiero's death (B. C. 467), and the plague at Athens ceased B. C. 429. The 38 years between these two dates may therefore safely be taken as the time in which Calamis flourished. (Sillig, Cat. Art. s. v.) Calamis was one of the most diligent artists of all antiquity. He wrought statues in bronze, stone, gold, and ivory, and was, moreover, a celebrated embosser. (Plin. Nat. 33.12. s. 15, 36.4. s. 3.) Besides the Apollo Alexicacos, which was of metal(Sillig, Cat. Art. p. 117), there existed a marble statue of Apollo in the Servilian gardens in Rome (Plin. Nat.
d embosser, whose birth-place and age are not mentioned by any of the ancient authors. It is certain, however, that he was a contemporary of Phidias, for he executed a statue of Apollo Alexicacos, who was believed to have stopped the plague at Athens. (Paus. 1.3.3.) Besides he worked at a chariot, which Dinomenes, the son of Hiero, caused to be made by Onatas in memory of his father's victory at Olympia. (Paus. 6.12.1, 8.42.4.) This chariot was consecrated by Dinomenes after Hiero's death (B. C. 467), and the plague at Athens ceased B. C. 429. The 38 years between these two dates may therefore safely be taken as the time in which Calamis flourished. (Sillig, Cat. Art. s. v.) Calamis was one of the most diligent artists of all antiquity. He wrought statues in bronze, stone, gold, and ivory, and was, moreover, a celebrated embosser. (Plin. Nat. 33.12. s. 15, 36.4. s. 3.) Besides the Apollo Alexicacos, which was of metal(Sillig, Cat. Art. p. 117), there existed a marble statue of Apollo