10. τὰ δ᾽ ἀσθενέστερα—τὰ δέ. B and T have τοὺς δ᾽
ἀσθενεστέρους—τοὺς δέ, a natural mistake, which can hardly be
due to Plato.
12. ἐμηχανᾶτο δύναμιν εἰς σωτηρίαν. Plato's own style
rarely falls into verse: cf. Rep. X. 621B εἰς τὴν γένεσιν ᾁττοντας
ὥσπερ ἀστέρας. The whole passage is full of rare and often poetic
rhythms, words, constructions, and turns of expression: e.g.
ἄοπλον φύσιν, σμικρότητι ἤμπισχεν, πτηνὸν φυγήν, τῷδε αὐτῷ (for
αὐτῷ τούτῳ), ἀϊστωθείη, ἀλληλοφθοριῶν διαφυγὰς ἐπήρκεσε,
εὐμαρίαν (as against εὐμάρειαν), and many more: note also the
effort after balance and variety in ἱκανοῖς μὲν ἀμῦναι χειμῶνα,
δυνατοῖς δὲ καὶ καύματα (321A, τοῖς μὲν ἐκ γῆς—ἄλλοις δὲ—τοῖς
δὲ—ἔστι δ᾽ οἷς. ‘Summum opinor’, says Heindorf, ‘in his
imitantis philosophi appareret artificium, si quid de propria
Protagorae dictione superesset’. See Introduction, p. xix.
13. σμικρότητι ἤμπισχεν. The usual construction would
require σμικρότητα: the change is perhaps due to the desire for
balance with ἃ δὲ ηὖξε μεγέθει, but the same construction occurs
below in l. 19 with ἀμφιεννύς.
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