The fatal pile they rear,
Within the secret court, expos'd in air.
The cloven holms and pines are heap'd on high,
And garlands on the hollow spaces lie.
Sad cypress, vervain, yew, compose the wreath,
And ev'ry baleful green denoting death.
The queen, determin'd to the fatal deed,
The spoils and sword he left, in order spread,
And the man's image on the nuptial bed.
And now (the sacred altars plac'd around)
The priestess enters, with her hair unbound,
And thrice invokes the pow'rs below the ground.
Night, Erebus, and Chaos she proclaims,
And threefold Hecate, with her hundred names,
And three Dianas: next, she sprinkles round
With feign'd Avernian drops the hallow'd ground;
Culls hoary simples, found by Phoebe's light,
With brazen sickles reap'd at noon of night;
Then mixes baleful juices in the bowl,
And cuts the forehead of a newborn foal,
Robbing the mother's love. The destin'd queen
Observes, assisting at the rites obscene;
A leaven'd cake in her devoted hands
She holds, and next the highest altar stands:
One tender foot was shod, her other bare;
Girt was her gather'd gown, and loose her hair.
Thus dress'd, she summon'd, with her dying breath,
The heav'ns and planets conscious of her death,
And ev'ry pow'r, if any rules above,
Who minds, or who revenges, injur'd love.
Vergil. Aeneid. John Dryden. trans. XXX. XXX. XXX.
The National Endowment for the Humanities provided support for entering this text.
