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Metŏpae

μετόπαι, Vitruv. iv. 2.4; literally, “interstices between two beam-ends”). A name given in Doric architecture to the spaces between the triglyphs (q. v.) in the frieze. They were originally left open. Thus, Orestes manages to make his way into the Tauric temple of Artemis through one of these openings (Eurip. Iph. T. 113). They were afterwards filled with panels of wood, which were in course of time superseded by plain slabs of marble, as in the temples at Paestum, etc. These slabs were sometimes slightly ornamented with a round shield in low relief, as in the frieze

Metopé from the Cella of the Great Temple of Olympia. Nymph, Heracles, and Atlas.

of the temple of Zeus at Olympia. More frequently they were filled with figures in relief, as in those of Selinus (see Statuaria Ars), and of the Theseum and the Parthenon (q.v.). The term is also applied to similarly sculptured slabs not placed between the triglyphs, but on the wall of the cella, as in the temple of Zeus at Olympia. See Olympia.

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