hide Sorting

You can sort these results in two ways:

By entity
Chronological order for dates, alphabetical order for places and people.
By position (current method)
As the entities appear in the document.

You are currently sorting in ascending order. Sort in descending order.

hide Most Frequent Entities

The entities that appear most frequently in this document are shown below.

Entity Max. Freq Min. Freq
300 AD - 399 AD 90 90 Browse Search
1500 AD - 1599 AD 58 58 Browse Search
100 AD - 199 AD 31 31 Browse Search
500 AD - 599 AD 30 30 Browse Search
200 AD - 299 AD 24 24 Browse Search
179 BC 20 20 Browse Search
1400 AD - 1499 AD 19 19 Browse Search
400 AD - 499 AD 19 19 Browse Search
1100 AD - 1199 AD 17 17 Browse Search
700 AD - 799 AD 15 15 Browse Search
View all entities in this document...

Browsing named entities in a specific section of Samuel Ball Platner, Thomas Ashby, A Topographical Dictionary of Ancient Rome. Search the whole document.

Found 5 total hits in 5 results.

xl. 3-4) represent the satyr standing on a square pedestal with right foot advanced, a wine skin thrown over his left shoulder with his left hand holding its opening, and his right hand raised. The statue is nude except for sandals and the Phrygian hat (pileus), and represents the Greek type of the fourth century B.C. How long before 8 B.C. this statue was erected in the forum, and why it was brought here, we do not know. According to a recent ingenious theory it was brought from Apamea in 188 B.C. by Cn. Manlius Vulso because of the legendary connection of that city with the tomb of Aeneas, and placed near the lacus Curtius because of a certain parallelism between the legendary self-sacrifice of an Apamean hero and Curtius (A. Reinach, Klio 1914, 321-337). The statue was often crowned with flowers, and a certain P. Munatius was once thrown into prison for stealing them (Plin. NH xxi. 8-9). Marsyas came to be regarded as the symbol of liberty (Serv. ad Aen. iii. 20) and under the emp
hrygian Silenus, which stood in an enclosure in the middle of the forum, together with the figtree, olive and vine (see FICUS, OLEA, VITIS), near the TRIBUNAL PRAETORIS (q.v.), and the lacus Curtius (Hor. Sat. i. 6. 120 and Ps. Acron and Porphyrion ad loc.; Sen. de benef. vi. 32; Mart. ii. 64. 7; Plin. NH xxi. 8-9; Juv. ix. 2; Hulsen, Nachtrag 15-19). This statue appears in relief on the famous plutei (see reff. under ROSTRA AUGUSTI); and coins struck by L. Marcius Censorinus between 86 and 81 B.C. (Babelon, Monnaies, Marcia 42; BM. Rep. i. 338, pl. xl. 3-4) represent the satyr standing on a square pedestal with right foot advanced, a wine skin thrown over his left shoulder with his left hand holding its opening, and his right hand raised. The statue is nude except for sandals and the Phrygian hat (pileus), and represents the Greek type of the fourth century B.C. How long before 8 B.C. this statue was erected in the forum, and why it was brought here, we do not know. According to a re
e of the Phrygian Silenus, which stood in an enclosure in the middle of the forum, together with the figtree, olive and vine (see FICUS, OLEA, VITIS), near the TRIBUNAL PRAETORIS (q.v.), and the lacus Curtius (Hor. Sat. i. 6. 120 and Ps. Acron and Porphyrion ad loc.; Sen. de benef. vi. 32; Mart. ii. 64. 7; Plin. NH xxi. 8-9; Juv. ix. 2; Hulsen, Nachtrag 15-19). This statue appears in relief on the famous plutei (see reff. under ROSTRA AUGUSTI); and coins struck by L. Marcius Censorinus between 86 and 81 B.C. (Babelon, Monnaies, Marcia 42; BM. Rep. i. 338, pl. xl. 3-4) represent the satyr standing on a square pedestal with right foot advanced, a wine skin thrown over his left shoulder with his left hand holding its opening, and his right hand raised. The statue is nude except for sandals and the Phrygian hat (pileus), and represents the Greek type of the fourth century B.C. How long before 8 B.C. this statue was erected in the forum, and why it was brought here, we do not know. Accordin
us plutei (see reff. under ROSTRA AUGUSTI); and coins struck by L. Marcius Censorinus between 86 and 81 B.C. (Babelon, Monnaies, Marcia 42; BM. Rep. i. 338, pl. xl. 3-4) represent the satyr standing on a square pedestal with right foot advanced, a wine skin thrown over his left shoulder with his left hand holding its opening, and his right hand raised. The statue is nude except for sandals and the Phrygian hat (pileus), and represents the Greek type of the fourth century B.C. How long before 8 B.C. this statue was erected in the forum, and why it was brought here, we do not know. According to a recent ingenious theory it was brought from Apamea in 188 B.C. by Cn. Manlius Vulso because of the legendary connection of that city with the tomb of Aeneas, and placed near the lacus Curtius because of a certain parallelism between the legendary self-sacrifice of an Apamean hero and Curtius (A. Reinach, Klio 1914, 321-337). The statue was often crowned with flowers, and a certain P. Munatius w
appears in relief on the famous plutei (see reff. under ROSTRA AUGUSTI); and coins struck by L. Marcius Censorinus between 86 and 81 B.C. (Babelon, Monnaies, Marcia 42; BM. Rep. i. 338, pl. xl. 3-4) represent the satyr standing on a square pedestal with right foot advanced, a wine skin thrown over his left shoulder with his left hand holding its opening, and his right hand raised. The statue is nude except for sandals and the Phrygian hat (pileus), and represents the Greek type of the fourth century B.C. How long before 8 B.C. this statue was erected in the forum, and why it was brought here, we do not know. According to a recent ingenious theory it was brought from Apamea in 188 B.C. by Cn. Manlius Vulso because of the legendary connection of that city with the tomb of Aeneas, and placed near the lacus Curtius because of a certain parallelism between the legendary self-sacrifice of an Apamean hero and Curtius (A. Reinach, Klio 1914, 321-337). The statue was often crowned with flower