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June 22nd, 1854 AD (search for this): chapter 18
t had occurred to him purely in the realm of fancy, as he describes it, and his freedom became a source of joy. He had been anxious for some years to carry out his early plan of works upon American themes. He had, as will be remembered, made himself spokesman for the Indians on the college platform. His list of proposed subjects had included as far back as 1829, Tales of the Quoddy Indians, with a description of Sacobezon, their chief. After twenty-five years he wrote in his diary (June 22, 1854), I have at length hit upon a plan for a poem on the American Indians which seems to be the right one and the only. It is to weave together their beautiful traditions into a whole. I have hit upon a measure, too, which I think the right one and the only one for the purpose. He had to draw for this delineation not merely upon the Indians seen in books, but on those he had himself observed in Maine, the Sacs and Foxes he had watched on Boston Common, and an Ojibway chief whom he had en
June 25th, 1854 AD (search for this): chapter 18
neation not merely upon the Indians seen in books, but on those he had himself observed in Maine, the Sacs and Foxes he had watched on Boston Common, and an Ojibway chief whom he had entertained at his house. As for the poetic measure, a suitable one had just been suggested to him by the Finnish epic of Kalevala, which he had been reading; and he had been delighted by its appropriateness to the stage character to be dealt with and the type of legend to be treated. Hiawatha was begun on June 25, 1854, and published on November 10 of that year. He enjoyed the work thoroughly, but it evidently seemed to him somewhat tame before he got through, and this tendency to tameness was sometimes a subject of criticism with readers; but its very simplicity made the style attractive to children and gave a charm which it is likely always to retain. With his usual frankness, he stated at the outset that the metre was not original with him, and it was of course a merit in the legends that they wer
July 19th, 1854 AD (search for this): chapter 18
ve. There was, moreover, all the excitement of his friend Sumner's career, and of the fugitive slave cases in Boston, and it is no wonder that he writes in his diary, with his usual guarded moderation, I am not, however, very sure as to the result. Meanwhile he sat for his portrait by Lawrence, and the subject of the fugitive slave cases brought to the poet's face, as the artist testified, a look of animation and indignation which he was glad to catch and retain. On Commencement Day, July 19, 1854, he wore his academical robes for the last time, and writes of that event, The whole crowded church looked ghostly and unreal as a thing in which I had no part. He had already been engaged upon his version of Dante, having taken it up on February 1, 1853, Life, II. 248. after ten years interval; and moreover another new literary project had occurred to him purely in the realm of fancy, as he describes it, and his freedom became a source of joy. He had been anxious for some years to
August 23rd, 1854 AD (search for this): chapter 18
e College and for yourselves, I have the honor to be, Gentlemen, Your Obedient Servant Henry W. Longfellow, Smith Professor of French and Spanish, and Professor of Belles Lettres.Harvard College Papers [Ms.], 2d ser. XXI. 249. Cambridge, August 23, 1854. [to President Walker.] Nahant, Aug. 23, 1854. my dear Sir,—I inclose you the Letter of resignation we were speaking of yesterday. I have made it short, as better suited to College Records; and have said nothing of the regret, whichAug. 23, 1854. my dear Sir,—I inclose you the Letter of resignation we were speaking of yesterday. I have made it short, as better suited to College Records; and have said nothing of the regret, which I naturally feel on leaving you, for it hardly seems to me that I am leaving you; and little of my grateful acknowledgments; for these I hope always to show, by remaining the faithful friend and ally of the College. I beg you to make my official farewells to the members of the Faculty at their next meeting, and to assure them all and each of my regard and friendship, and of my best wishes for them in all things. With sentiments of highest esteem, I remain Dear Sir, Yours faithfully
1856 AD (search for this): chapter 18
to the tribe by some of the children and grandchildren of the poet. This posthumous tribute to a work of genius is in itself so picturesque and interesting and has been so well described by Miss Alice Longfellow, who was present, that I have obtained her consent to reprint it in the Appendix to this volume. Longfellow's next poem reverted to hexameters once more, inasmuch as Evangeline had thoroughly outlived the early criticisms inspired by this meter. The theme had crossed his mind in 1856, and he had begun to treat it in dramatic form and verse, under the name it now bears; but after a year's delay he tried it again under the name of Priscilla, taking the name, possibly, from an attractive English Quakeress, Priscilla Green, whose sweet voice had charmed him in a public meeting, breaking now and then, as he says, into a kind of rhythmic charm in which the voice seemed floating up and down on wings. It has been thought that he transferred in some degree the personality of this
December, 1857 AD (search for this): chapter 18
ive English Quakeress, Priscilla Green, whose sweet voice had charmed him in a public meeting, breaking now and then, as he says, into a kind of rhythmic charm in which the voice seemed floating up and down on wings. It has been thought that he transferred in some degree the personality of this worthy woman to the heroine of his story, their Christian names being the same; but he afterwards resumed the original title, The Courtship of Miles Standish. He wrote it with great ease between December, 1857, and March, 1858, and perhaps never composed anything with a lighter touch or more unmingled pleasure. Twenty-five thousand copies were sold or ordered of the publishers during the first week, and ten thousand in London on the first day. In both theme and treatment the story was thoroughly to his liking, and vindicated yet further that early instinct which guided him to American subjects. Longfellow was himself descended, it will be remembered, from the very marriage he described, thus
March, 1858 AD (search for this): chapter 18
ss, Priscilla Green, whose sweet voice had charmed him in a public meeting, breaking now and then, as he says, into a kind of rhythmic charm in which the voice seemed floating up and down on wings. It has been thought that he transferred in some degree the personality of this worthy woman to the heroine of his story, their Christian names being the same; but he afterwards resumed the original title, The Courtship of Miles Standish. He wrote it with great ease between December, 1857, and March, 1858, and perhaps never composed anything with a lighter touch or more unmingled pleasure. Twenty-five thousand copies were sold or ordered of the publishers during the first week, and ten thousand in London on the first day. In both theme and treatment the story was thoroughly to his liking, and vindicated yet further that early instinct which guided him to American subjects. Longfellow was himself descended, it will be remembered, from the very marriage he described, thus guaranteeing a sy
July 10th, 1861 AD (search for this): chapter 18
American subjects. Longfellow was himself descended, it will be remembered, from the very marriage he described, thus guaranteeing a sympathetic treatment, while the measure is a shade crisper and more elastic than that of Evangeline, owing largely to the greater use of trochees. It is almost needless to say that no such effort can ever be held strictly to the classic rules, owing to the difference in the character of the language. With German hexameters the analogy is closer. On July 10, 1861, Mrs. Longfellow died the tragic death which has been so often described, from injuries received by fire the day before. Never was there a greater tragedy within a household; never one more simply and nobly borne. It was true to Lowell's temperament to write frankly his sorrow in exquisite verse; but it became Longfellow's habit, more and more, to withhold his profoundest feelings from spoken or written utterance; and it was only after his death that his portfolio, being opened, reveal
July 10th, 1879 AD (search for this): chapter 18
mperament to write frankly his sorrow in exquisite verse; but it became Longfellow's habit, more and more, to withhold his profoundest feelings from spoken or written utterance; and it was only after his death that his portfolio, being opened, revealed this sonnet, suggested by a picture of the western mountain whose breast bears the crossed furrows. The cross of snow in the long, sleepless watches of the night, A gentle face—the face of one long dead— Looks at me from the wall, where round its head The night-lamp casts a halo of pale light. Here in this room she died; and soul more white Never through martyrdom of fire was led To its repose; nor can in books be read The legend of a life more benedight. There is a mountain in the distant West That, sun-defying, in its deep ravines Displays a cross of snow upon its side. Such is the cross I wear upon my breast These eighteen years, through all the changing scenes l>And seasons, changeless since the day she died. July 10, 1879
August, 1901 AD (search for this): chapter 18
you not chuckling over the war which is waging in the Athenaeum about the measure from Hiawatha ? He had letters of hearty approval from Emerson, Hawthorne, Parsons, and Bayard Taylor; the latter, perhaps, making the best single encomium on the book in writing to its author, The whole poem floats in an atmosphere of the American Indian summer. The best tribute ever paid to it, however, was the actual representation of it as a drama by the Ojibway Indians on an island in Lake Huron, in August, 1901, in honor of a visit to the tribe by some of the children and grandchildren of the poet. This posthumous tribute to a work of genius is in itself so picturesque and interesting and has been so well described by Miss Alice Longfellow, who was present, that I have obtained her consent to reprint it in the Appendix to this volume. Longfellow's next poem reverted to hexameters once more, inasmuch as Evangeline had thoroughly outlived the early criticisms inspired by this meter. The them
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