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[555] contrivance we are indebted, in part, for Madame Urso's wonderful accuracy and agreeable repose of manner.

The years of training were interrupted by a series of concerts in the departments and a three months tour hi Germany. This was a special indulgence, as pupils of the Conservatoire are not allowed to play in public. Camilla performed at Heidelberg, Baden-Baden, and Mayence, receiving everywhere the recognition due to an artist, not to a prodigy. That German public, so devoted to music in its highest forms, led by masters of such varied genius, took the child to its heart. Nobles and princes paid her compliments and bestowed beautiful presents upon her. A countess, who took the most affectionate interest in her, insisted on giving her an ornament she had worn at her own confirmation,--a large cross of pearls attached to a long chain of red coral. From these triumphs she returned to Paris and her studies with Massart.

In a few months she appeared at the public concerts of Paris, at the Salle Herz, the Societe Polytechnique, the Conservatoire, and the Association of Musical Artists. Her success was great. A critic, speaking of her at this time, says :

She is walking in the steps of the greatest virtuosi. She plays the violin, not as a well-organized child might play after a certain period devoted to study, but, indeed, with a skill truly prodigious. Her pose, her energy, her bowing, reveal the consummate artist. But what is most surprising is the sentiment of her execution; she excels in that essential expression which comes wholly from the soul, and which the composer, from lack of means to note and write out, abandons to the discretion and intelligence of the executant.

At the age of nine she performed before Louis Napoleon, then President of the National Convention. He was greatly

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