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[574] prepared for such a poetic conception. This beautiful production of Miss Hosmer's hand and soul has the face of a lovely maiden, gently falling asleep to the sound of distant music. Her hair is gracefully arranged, and intertwined with capsules of the poppy. A polished star gleams on her forehead, and under her breast lies the crescent moon. The hush of evening breathes from the serene countenance and the heavily drooping eyelids. I felt tranquillized while looking at it, as I do when the rosy clouds are fading into gray twilight, and the pale moon-sickle descends slowly behind the dim woods. The mechanical execution of this bust seemed to me worthy of its lovely and lifelike expression. The swell of cheek and breast is like pure, young, healthy flesh; and the muscles of the beautiful mouth are so delicately cut, that it seems like a thing that breathes.

Hesper was presented by the artist to her friend, Miss Coolidge, of Boston.

When it was completed she said to her father, “Now I am ready to go to Rome.” Rome is the Mecca of artists. The tomb of the prophet is not more attractive to devout Mussulmen than its aesthetic treasures to all the children of genius. They flow thither from every cultivated nation, for the study of the noblest models, the inheritance of ancient and modern ages, for the sympathy and encouragement of companions in aspirations and toils, for the exhilaration and joy of artistic fellowship,--perhaps, also, for the indispensable end of more favorable opportunities for making known their works and of obtaining remuneration for their life-labors; and they often encounter as well the trials which spring from our poor nature, and allow no paradise on earth,--the envy, jealousy, bitter criticism, and aspersion of partakers and competitors in the same pursuits and the same glories.

About this time Miss Hosmer formed acquaintance with

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Harriet G. Hosmer (2)
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