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In vain we turn, for gibing wit
And shoutings follow after,
As if old Kearsarge had split
His granite sides with laughter!
What boots it that we pelted out
The anti-slavery women,1
And bravely strewed their hall about
With tattered lace and trimming?
Was it for such a sad reverse
Our mobs became peacemakers,
And kept their tar and wooden horse
For Englishmen and Quakers?
For this did shifty Atherton
Make gag rules for the Great House?
Wiped we for this our feet upon
Petitions in our State House?
Plied we for this our axe of doom,
No stubborn traitor sparing,
Who scoffed at our opinion loom,
And took to homespun wearing?
Ah, Moses! hard it is to scan
These crooked providences,
Deducing from the wisest plan
The saddest consequences!
Strange that, in trampling as was meet
The nigger-men's petition,
We sprung a mine beneath our feet
Which opened up perdition.
How goodly, Moses, was the game
In which we've long been actors,
Boston and New York, Houghton, Mifflin and company, 1888-89.
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