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ry is that he taught his own language to sing and move to measures harmonious and noble. Chaucer had done much to vocalize it, as I have tried to show elsewhere, See My Study Windows, 264 seqq. but Spenser was to prove That no tongue hath the muse's utterance heired For verse, and that sweet music to the ear Struck out of rhyme, so naturally as this. The Shepherd's Calendar contains perhaps the most picturesquely imaginative verse which Spenser has written. It is in the eclogue for February, where he tells us of the Faded oak Whose body is sere, whose branches broke, Whose naked arms stretch unto the fire. It is one of those verses that Joseph Warton would have liked in secret, that Dr. Johnson would have proved to be untranslatable into reasonable prose, and which the imagination welcomes at once without caring whether it be exactly conformable to barbara or celarent. Another pretty verse in the same eclogue, But gently took that ungently came, pleased Coleridge so gr
ness (for all change is sweet) He casts his glutton sense to satisfy, Now sucking of the sap of herbs most meet, Or of the dew which yet on them doth lie, Now in the same bathing his tender feet; And then he percheth on some branch thereby To weather him and his moist wings to dry. And then again he turneth to his play, To spoil [plunder] the pleasures of that paradise; The wholesome sage, the lavender still gray, Rank-smelling rue, and cummin good for eyes, The roses reigning in the pride of May, Sharp hyssop good for green wounds' remedies Fair marigolds, and bees-alluring thyme, Sweet marjoram and daisies decking prime, Cool violets, and orpine growing still, Embathed balm, and cheerful galingale, Fresh costmary and breathful camomill, Dull poppy and drink-quickening setuale, Vein-healing vervain and head-purging dill, Sound savory, and basil hearty-hale, Fat coleworts and comforting perseline, Cold lettuce, and refreshing rosemarine. I could not bring myself to root out this o
Halpine, of Dublin. The latter published in the series of the Shakespeare Society a sprightly little tract entitled Oberon, which, if not quite convincing, is well worth reading for its ingenuity and research. Before the publication of his Shepherd's Calendar in 1579, he had made the acquaintance of Sir Philip Sidney, and was domiciled with him for a time at Penshurst, whether as guest or literary dependant is uncertain. In October, 1579, he is in the household of the Earl of Leicester. In July, 1580, he accompanied Lord Grey de Wilton to Ireland as Secretary, and in that country he spent the rest of his life, with occasional flying visits to England to publish poems or in search of preferment. His residence in that country has been compared to that of Ovid in Pontus. And, no doubt, there were certain outward points of likeness. The Irishry by whom he was surrounded were to the full as savage, as hostile, and as tenacious of their ancestral habitudes as the Scythians In his p
In 1594 he had been married to the lady celebrated in his somewhat artificial amoretti. By her he had four children. He was now at the height of his felicity; by universal acclaim the first poet of his age, and the one obstacle to his material advancement (if obstacle it was) had been put out of the way by the death of Lord Burleigh, August, 1598. In the next month he was recommended in a letter from Queen Elizabeth for the shrievalty of the county of Cork. But alas for Polycrates! In October the wild kerns and gallowglasses rose in no mood for sparing the house of Pindarus. They sacked and burned his castle, from which he with his wife and children barely escaped. Ben Jonson told Drummond that one child perished in the flames. But he was speaking after an interval of twenty-one years, and, of course, from hearsay. Spenser's misery was exaggerated by succeeding poets, who used him to point a moral, and from the shelter of his tomb launched many a shaft of sarcasm at an una
l man, seems to have its periodic ebbs and floods, its oscillations between the ideal and the matter-of-fact, so that the doubtful boundary line of shore between them is in one generation a hard sandy actuality strewn only with such remembrances of beauty as a dead sea-moss here and there, and in the next is whelmed with those lacelike curves of ever-gaining, ever-receding foam, and that dance of joyous spray which for a moment catches and holds the sunshine. From the two centuries between 1400 and 1600 the indefatigable Ritson in his Bibliographia Poetica has made us a catalogue of some six hundred English poets, or, more properly, verse-makers. Ninety-nine in a hundred of them are mere names, most of them no more than shadows of names, some of them mere initials. Nor can it be said of them that their works have perished because they were written in an obsolete dialect; for it is the poem that keeps the language alive, and not the language that buoys up the poem. The revival of
eal only because they lie beyond the horizon of the every-day world and become visible only when the mirage of fantasy lifts them up and hangs them in an ideal atmosphere. As in the old fairy-tales, the task which the age imposes on its poet is to weave its straw into a golden tissue; and when every device has failed, in comes the witch Imagination, and with a touch the miracle is achieved, simple as miracles always are after they are wrought. Spenser, like Chaucer a Londoner, was born in 1553. Mr. Hales, in the excellent memoir of the poet prefixed to the Globe edition of his works, puts his birth a year earlier, on the strength of a line in the sixtieth sonnet. But it is not established that this sonnet was written in 1593, and even if it were, a sonnet is not upon oath, and the poet would prefer the round number forty, which suited the measure of his verse, to thirty-nine or forty-one, which might have been truer to the measure of his days. Nothing is known of his parents, e
ot upon oath, and the poet would prefer the round number forty, which suited the measure of his verse, to thirty-nine or forty-one, which might have been truer to the measure of his days. Nothing is known of his parents, except that the name of his mother was Elizabeth; but he was of gentle birth, as he more than once informs us, with the natural satisfaction of a poor man of genius at a time when the business talent of the middle class was opening to it the door of prosperous preferment. In 1569 he was entered as a sizar at Pembroke Hall, Cambridge, and in due course took his bachelor's degree in 1573, and his master's in 1576. He is supposed, on insufficient grounds, as it appears to me, to have met with some disgust or disappointment during his residence at the University. This has been inferred from a passage in one of Gabriel Harvey's letters to him. But it would seem more natural, from the many allusions in Harvey's pamphlets against Nash, that it was his own wrongs which h
rty-nine or forty-one, which might have been truer to the measure of his days. Nothing is known of his parents, except that the name of his mother was Elizabeth; but he was of gentle birth, as he more than once informs us, with the natural satisfaction of a poor man of genius at a time when the business talent of the middle class was opening to it the door of prosperous preferment. In 1569 he was entered as a sizar at Pembroke Hall, Cambridge, and in due course took his bachelor's degree in 1573, and his master's in 1576. He is supposed, on insufficient grounds, as it appears to me, to have met with some disgust or disappointment during his residence at the University. This has been inferred from a passage in one of Gabriel Harvey's letters to him. But it would seem more natural, from the many allusions in Harvey's pamphlets against Nash, that it was his own wrongs which he had in mind, and his self-absorption would take it for granted that Spenser sympathized with him in all his
at a time when the business talent of the middle class was opening to it the door of prosperous preferment. In 1569 he was entered as a sizar at Pembroke Hall, Cambridge, and in due course took his bachelor's degree in 1573, and his master's in 1576. He is supposed, on insufficient grounds, as it appears to me, to have met with some disgust or disappointment during his residence at the University. This has been inferred from a passage in one of Gabriel Harvey's letters to him. But it woulhe friendship of Spenser. Yet the reiteration of emphasis with which he insists on all the world's knowing that Nash had called him an ass, probably gave Shakespeare the hint for one of the most comic touches in the character of Dogberry. Between 1576 and 1578 Spenser seems to have been with some of his kinsfolk in the North. It was during this interval that he conceived his fruitless passion for the Rosalinde, whose jilting him for another shepherd, whom he calls Menalcas, is somewhat perfunc
ufficiency (to borrow one of his own words) we come suddenly upon passages whose gravity of sentiment, stateliness of movement, and purity of diction remind us of Landor. These lucid intervals in his overweening vanity explain and justify the friendship of Spenser. Yet the reiteration of emphasis with which he insists on all the world's knowing that Nash had called him an ass, probably gave Shakespeare the hint for one of the most comic touches in the character of Dogberry. Between 1576 and 1578 Spenser seems to have been with some of his kinsfolk in the North. It was during this interval that he conceived his fruitless passion for the Rosalinde, whose jilting him for another shepherd, whom he calls Menalcas, is somewhat perfunctorily bemoaned in his pastorals. The late Major C. G. Halpine, in a very interesting essay, makes it extremely probable that Rosalinde is the anagram of Rose Daniel, sister of the poet, and married to John Florio. He leaves little doubt, also, that the n
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