[3]
Then, to start proceedings, in came Ariadne, apparelled as a bride, and took her seat in the chair. Dionysus being still invisible, there was heard the Bacchic music played on a flute. Then it was that the assemblage was filled with admiration of the dancing master. For as soon as Ariadne heard the strain, her action was such that every one might have perceived her joy at the sound; and although she did not go to meet Dionysus, nor even rise, yet it was clear that she kept her composure with difficulty.
This text is part of:
Search the Perseus Catalog for:
Xenophon. Xenophon in Seven Volumes, 4. Harvard University Press, Cambridge, MA; William Heinemann, Ltd., London. 1979.
The Annenberg CPB/Project provided support for entering this text.
Purchase a copy of this text (not necessarily the same edition) from Amazon.com
This work is licensed under a
Creative Commons Attribution-ShareAlike 3.0 United States License.
An XML version of this text is available for download, with the additional restriction that you offer Perseus any modifications you make. Perseus provides credit for all accepted changes, storing new additions in a versioning system.