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[11] Still, it has an interest of its own for the light it sheds on Thoreau's peculiar temperament, and particularly on his robust Americanism, a sentiment based on traditional dislike of Britain and on contempt for monarchy as an effete institution. Patriotism is a curious passion. It does not seem possible to love one's own country except by hating some other country. Emerson defines Thoreau almost in these terms:
No truer American existed than Thoreau. His preference of his country and condition was genuine, and his aversation from English and European manners and tastes almost reached contempt.

With no great love for the institutions of his own land, he showed his instinctive preference for them during his one brief sojourn under an alien flag. His attitude throughout is one of consistent patronage to all he sees and hears. The red-coats in the citadel at Quebec have the manhood drilled out of them. Britain, he believes, is ‘red in the knuckles’ with holding on to the Canadas, and must soon relax her grasp. Towards the great mystery of historical Christianity, he is equally contemptuous. The devout worshippers in the Cathedral at Montreal, absorbed in prayer and regardless of gazing strangers, suggest the parallel of his fellow Yankees going to meeting on a week-day, after the cattle-fair. The Sisters of Charity whom he saw in the street looked as if they had cried their eyes out, ‘insulting the daylight with their presence.’ That the soldier and the religious had something valuable to which he was a stranger, never occurred to him. In other words, he was blind to the romance of war and the poetry of faith. Even the natural courtesy of the habitants seems to him mere servility. For the American of Thoreau's generation, history began with the musketry of the embattled farmers at Concord bridge. Before that day, there was only a dark welter of wicked kings and mad tories. These limitations prevented him from realizing, as Parkman did, the epic struggle which ended on the Plains of Abraham. He indeed transcribes the inscription on the monument to Wolfe and Montcalm, but the splendour and pathos of their fate leave him unmoved. Still, this rigid and narrow provincialism gives salt to his books and explains his revolt against convention.

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