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 the true order of nature, his devotion may bring him to an evil end. These possibilities, together with the implications of self-reliance and compensation, furnish the moral problems of Hawthorne's romances. Hester Prynne, for example, in The scarlet letter, illustrates self-reliance in a way that some Emersonians may have found not altogether comfortable. Since her love for Dimmesdale was the one sincere passion of her life, she obeyed it utterly, though a conventional judgment would have said that she was stepping out of the moral order. There is nothing in the story to suggest condemnation of her or of the minister in their sin; the only blame attaches to Dimmesdale's cowardice, his lack of self-reliance, his unreadiness to make public acknowledgment of his love. The passion itself, as the two lovers still agree at the close of their hard experience, was sacred, and never caused them repentance. The doctrine of compensation is illustrated in Chillingworth, who, having determined on a fiendish revenge, becomes himself a fiend. There is a kind of comment on Emerson's cheerful doctrine in the fact that this gloomy soul, marked for perdition, is a firm believer in compensation; he wronged Hester's youth by marrying her, and therefore he bears her no ill will for wronging him, but he argues that since the minister had never received a justifying harm at his hands, the secret lover should therefore be punished by the injured husband. As Chillingworth discusses the matter with Hester, compensation seems to be at one moment sheer fatalism, at another moment a primitive exacting of an eye for an eye, but never does it come to a happy issue. The optimistic turn in the doctrine is illustrated by Hester—or perhaps it is better to say that she illustrates the optimism of Circles. She has sinned, but the sin leads her straightway to a larger life. Like Adam and Eve driven out of Paradise, she finds she has a career at last. Social ostracism first gives her leisure for meditation and a just angle from which to attack social problems, and then it permits her to enter upon a life of mercy and good works which would have been closed to a conventional woman. Hawthorne had described the original wearer of the scarlet letter in Endicott and the red Cross as a woman who braved her shame by embroidering the guilty ‘A’ into an elaborate and beautiful emblem; so in the romance
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