[14]
ἄλλος, ἐπειδὴ ἐπὶ τῶν πλείστων συμβαίνει ὥστε ἕπεσθαί τι τῷ αὐτῷ ἀγαθὸν καὶ κακόν, ἐκ τοῦ ἀκολουθοῦντος προτρέπειν ἢ ἀποτρέπειν, καὶ κατηγορεῖν ἢ ἀπολογεῖσθαι, καὶ ἐπαινεῖν ἢ ψέγειν, οἷον “τῇ παιδεύσει τὸ φθονεῖσθαι ἀκολουθεῖ
κακὸν ὄν, τὸ δὲ σοφὸν εἶναι ἀγαθόν: οὐ τοίνυν δεῖ παιδεύεσθαι, φθονεῖσθαι γὰρ οὐ δεῖ: δεῖ μὲν οὖν παιδεύεσθαι, σοφὸν γὰρ εἶναι δεῖ”. ὁ τόπος οὗτός ἐστιν ἡ Καλλίππου τέχνη, προσλαβοῦσα τὸ δυνατὸν καὶ τἆλλα ὡς εἴρηται.
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Ars Rhetorica. Aristotle. W. D. Ross. Oxford. Clarendon Press. 1959.
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