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 principles, was stopped from any such folly by the fact that the same volume contained those immortal legends of the Hudson, Rip Van Winkle and The legend of Sleepy Hollow. In these stories, poems in prose, the author utilized, as the pathway and inspiration for his imagination, the great river of which he was so fond. If Irving's descriptions of rural England were to give fresh interest to American readers in the old home of their forefathers, the skill with which he had utilized the traditional legends of the Catskill Mountains and had woven fanciful stories along the roadway of Sleepy Hollow made clear to readers on the other side of the Atlantic that imagination and literary style were not restricted to Europe. The work begun in The sketch Book was continued in Bracebridge Hall. Here also we have that combination (possibly paralleled in no other work of literature) of things English and things American. Squire Bracebridge is, of course, a lineal descendant of Sir Roger de Coverley. It is not necessary, however, because Irving was keenly sympathetic with Addison's mode of thought, to speak of Irving's hero as an imitation. England has produced more than one squire, and Bracebridge and the family of the Hall were the creations of the American observer. The English home of the early nineteenth century is presented in a picture that is none the less artistic because it can be accepted as trustworthy and exact. In this volume we have also a characteristic American study, Dolph Heyliger, a fresh romance of Irving's beloved Hudson River. The Tales of a traveller, the scenes of which were laid partly in Italy, show the versatility of the author in bringing his imagination into harmony with varied surroundings. Whether the subject be in England, in France, or in Italy, whether he is writing of the Alhambra or of the Hudson, Irving always succeeds in coming into the closest sympathy with his environment. He has the artist's touch in the ability to reproduce the atmosphere in which the scenes of his stories are placed. The Life of Columbus may be considered as presenting Irving's first attempt at history, but it was an attempt that secured for him at once a place in the first rank among historians. In this biography, Irving gave ample evidence of his power of reconstituting the figures of the past. He impresses upon the reader the personality of the great discoverer, the idealist, the
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