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[119]
early academic training; I think that it is unsafe to let our criticism stop here.
We need the advantage of the background; the flavor of varied cultivation; the depth of soil that comes from much early knowledge of a great many books.
This does not involve pedantry, although it is possible to be pedantic even in fiction, as Victor Hugo's endless and tiresome soliloquizers show.
The deeper the sub-soil is, the more diligently the farmer must break it up; he must not prefer a shallower loam to save trouble in ploughing.
The two things must be combined,—intellectual capital and labor; accumulation and manipulation; background and foreground.
Addison's fame rests partly on the three folio volumes of materials which he collected before beginning the Spectator; but it rests also on the lightness of touch that made him Addison.
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