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chapter:
INTRODUCTION
CHAPTER I: THE ORIGINS OF THE THREE ORDERS, AND THE PROPORTIONS OF THE CORINTHIAN CAPITAL
CHAPTER II: THE ORNAMENTS OF THE ORDERS
CHAPTER III: PROPORTIONS OF DORIC TEMPLES
CHAPTER IV: THE CELLA AND PRONAOS
CHAPTER V: HOW THE TEMPLE SHOULD FACE
CHAPTER VI: THE DOORWAYS OF TEMPLES
CHAPTER VII: TUSCAN TEMPLES
CHAPTER VIII: CIRCULAR TEMPLES AND OTHER VARIETIES
CHAPTER IX: ALTARS
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BOOK I
BOOK II
BOOK III
BOOK IV
BOOK V
BOOK VI
BOOK VII
BOOK IX
3. Later, others in other buildings allowed the projecting principal rafters to run out till they were flush with the triglyphs, and then formed their projections into simae. From that practice, like the triglyphs from the arrangement of the tie-beams, the system of mutules under the coronae was devised from the projections of the principal rafters. Hence generally, in buildings of stone and marble, the mutules are carved with a downward slant, in imitation of the principal rafters. For these necessarily have a slanting and projecting position to let the water drip down. The scheme of triglyphs and mutules in Doric buildings was, therefore, the imitative device that I have described.
Vitruvius: The Ten Books on Architecture. Vitruvius. Morris Hicky Morgan. Cambridge: Harvard University Press. London: Humphrey Milford. Oxford University Press. 1914.
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- Lewis & Short, sīmo
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