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chapter:
INTRODUCTION
CHAPTER I: FLOORS
CHAPTER II: THE SLAKING OF LIME FOR STUCCO
CHAPTER III: VAULTINGS AND STUCCO WORK
CHAPTER IV: ON STUCCO WORK IN DAMP PLACES, AND ON THE DECORATION OF DINING ROOMS
CHAPTER V: THE DECADENCE OF FRESCO PAINTING
CHAPTER VI: MARBLE FOR USE IN STUCCO
CHAPTER VII: NATURAL COLOURS
CHAPTER VIII: CINNABAR AND QUICKSILVER
CHAPTER IX: CINNABAR (continued)
CHAPTER X: ARTIFICIAL COLOURS. BLACK
CHAPTER XI: BLUE. BURNT OCHRE
CHAPTER XII: WHITE LEAD, VERDIGRIS, AND ARTIFICIAL SANDARACH
CHAPTER XIII: PURPLE
CHAPTER XIV: SUBSTITUTES FOR PURPLE, YELLOW OCHRE, MALACHITE GREEN, AND INDIGO
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BOOK I
BOOK II
BOOK III
BOOK IV
BOOK V
BOOK VI
BOOK VII
BOOK IX
10. The Greek stucco-workers not only employ these methods to make their works durable, but also construct a mortar trough, mix the lime and sand in it, bring on a gang of men, and beat the stuff with wooden beetles, and do not use it until it has been thus vigorously worked. Hence, some cut slabs out of old walls and use them as panels, and the stucco of such panels and “reflectors” has projecting bevelled edges all round it.
Vitruvius: The Ten Books on Architecture. Vitruvius. Morris Hicky Morgan. Cambridge: Harvard University Press. London: Humphrey Milford. Oxford University Press. 1914.
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