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chapter:
INTRODUCTION
CHAPTER I: THE FORUM AND BASILICA
CHAPTER II: THE TREASURY, PRISON, AND SENATE HOUSE
CHAPTER III: THE THEATRE: ITS SITE, FOUNDATIONS, AND ACOUSTICS
CHAPTER IV: HARMONICS
CHAPTER V: SOUNDING VESSELS IN THE THEATRE
CHAPTER VI: PLAN OF THE THEATRE
CHAPTER VII: GREEK THEATRES
CHAPTER VIII: ACOUSTICS OF THE SITE OF A THEATRE
CHAPTER IX: COLONNADES AND WALKS
CHAPTER X: BATHS
CHAPTER XI: THE
PALAESTRA
CHAPTER XII: HARBOURS, BREAKWATERS, AND SHIPYARDS
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4. The roof of the colonnade to be built at the top of the rows of seats, should lie level with the top of the “scaena,” for the reason that the voice will then rise with equal power until it reaches the highest rows of seats and the roof. If the roof is not so high, in proportion as it is lower, it will check the voice at the point which the sound first reaches.
Vitruvius: The Ten Books on Architecture. Vitruvius. Morris Hicky Morgan. Cambridge: Harvard University Press. London: Humphrey Milford. Oxford University Press. 1914.
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