The
Lysistrata
of Aristophanes
The most remarkable of Aristophanes' comedies are those in which the main characters,
the heros of the story as it were, are women, who use their wits and their solidarity
with one another to compel the men of Athens to overthrow basic policies of the
city-state. Most famous of Aristophanes' comedies depicting powerfully effectual women
is the
Lysistrata
1 of 411 B.C., named after the female lead character of the play. It portrays
the women of Athens as teaming up with the women of Sparta to force their husbands to
end the Peloponnesian War. To make the men agree to a peace treaty, the women first
seize the Acropolis, where Athens' financial reserves are kept, and prevent the men
from squandering them further on the war. They then beat back an attack on their
position by the old men who have remained in Athens while the younger men are out on
campaign. When their husbands return from battle, the women refuse to have sex with
them. This sex strike, which is portrayed in a series of risqué episodes,
finally coerces the men of Athens and Sparta to agree to a peace treaty.
The
Lysistrata presents women acting bravely and aggressively against
men who seem bent both on destroying their family life by staying away from home for
long stretches while on military campaign and on ruining the city-state by prolonging
a pointless war. In other words, the play's powerful women take on masculine roles to
preserve the traditional way of life of the community. Lysistrata herself emphasizes
this point in the very speech in which she insists that women have the intelligence
and judgment to make political decisions. She came by her knowledge, she says, in the
traditional way:
“I am a woman, and, yes, I have brains. And I'm not
badly off for judgment. Nor has my education been bad, coming as it has from my
listening often to the conversations of my father and the elders among the
men.”2 Lysistrata was schooled in the traditional fashion, by learning from older
men. Her old-fashioned training and good sense allowed her to see what needed to be
done to protect the community. Like the heroines of tragedy, Lysistrata is literally a
reactionary; she wants to put things back the way they were. To do that, however, she
has to act like a revolutionary. Ending the war would be so easy that women could do
it, Aristophanes is telling Athenian men, and Athenians should concern themselves with
preserving the old ways, lest they be lost.