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work, either in poetry or painting.
He had a dreamy, phlegmatic disposition, which seemed to carry him through life without much effort of the will.
He once confessed that when he was a boy he would never fire a gun for fear it might kick him over, and when he was at Hampton beach in 1875 he was in the habit of going out to sketch at a certain hour with prosaic regularity.
He did not seem to be on the watch, as an artist should, for rare effects of light and scenery, and he talked of art with very little enthusiasm.
Yet he lived the true life of his profession, enjoying his work, contented with little praise, and without envy of those who were more fortunate.
What is called odium artisticum was unknown to him.
He was an unpretending, courteous American gentleman.
His disposition was perfect, and no one could remember having seen him out of temper.
His pleasant flow of wit and humor, together with his varied accomplishments, made him a very brilliant man in society, and he counted among his friends the finest literati in Rome, London, and the United States.
He knew Thackeray as he knew Curtis and Lowell, and was once dining with him in a London chop-house, when Thackeray said: “Have you read the last number of The Newcombs?-if not, I will read it to you.”
Accordingly he gave the waiter a shilling to obtain the document,
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