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by them instead of shaping his own destiny.
Instead of planning and acting he philosophizes.
Of Hawthorne, on the contrary, we know nothing except as a person in a perfectly normal condition.
His wife once said that she had rarely known him to be indignant, and never to lose his temper.
He was the most sensitive of men, but he also possesed an indomitable will.
It was only his terrible determination that could make his life a success.
Emerson, who had little sympathy with him otherwise, always admired the perfect equipoise of his nature.
A man could not be more thoroughly himself; but, such a reticent, unsociable character as Hawthorne could never be used as the main-spring of a drama, for he would continually impede the progress of the plot.
A dramatic character needs to be a talkative person; one that either acts out his internal life, or indirectly exposes it. Hawthorne's best friends do not appear to have known what his real opinions were.
This perpetual reserve, this unwillingness to assimilate himself to others, may have been necessary for the perfection of his art.
The greater a writer or an artist, the more unique he is,--the more sharply defined from all other members of his class.
Hawthorne certainly did not resemble Scott, Dickens, or Thackeray, either in his life or his work.
He
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