[11] In noticing the squad-drills I perceive that the men learn less laboriously than whites that “double, double, toil and trouble,” which is the elementary vexation of the drill-master,--that they more rarely mistake their left for their right,--and are more grave and sedate while under instruction. The extremes of jollity and sobriety, being greater with them, are less liable to be intermingled; these companies can be driven with a looser rein than my former one, for they restrain themselves; but the moment they are dismissed from drill every tongue is relaxed and every ivory tooth visible. This morning I wandered about where the different companies were target-shooting, and their glee was contagious. Such exulting shouts of “Ki! Ole man,” when some steady old turkey-shooter brought his gun down for an instant's aim, and then unerringly hit the mark; and then, when some unwary youth fired his piece into the ground at half-cock, such infinite guffawing and delight, such rolling over and over on the grass, such dances of ecstasy, as made the “Ethiopian minstrelsy” of the stage appear a feeble imitation.
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[11] In noticing the squad-drills I perceive that the men learn less laboriously than whites that “double, double, toil and trouble,” which is the elementary vexation of the drill-master,--that they more rarely mistake their left for their right,--and are more grave and sedate while under instruction. The extremes of jollity and sobriety, being greater with them, are less liable to be intermingled; these companies can be driven with a looser rein than my former one, for they restrain themselves; but the moment they are dismissed from drill every tongue is relaxed and every ivory tooth visible. This morning I wandered about where the different companies were target-shooting, and their glee was contagious. Such exulting shouts of “Ki! Ole man,” when some steady old turkey-shooter brought his gun down for an instant's aim, and then unerringly hit the mark; and then, when some unwary youth fired his piece into the ground at half-cock, such infinite guffawing and delight, such rolling over and over on the grass, such dances of ecstasy, as made the “Ethiopian minstrelsy” of the stage appear a feeble imitation.
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