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 “Let me so lib dat when I die I shall hab manners, dat I shall know what to say when I see my Heabenly Lord.” “Let me lib wid de musket in one hand an' de Bible in de oder,--dat if I die at de muzzle ob de musket, die in de water, die on de land, I may know I hab de bressed Jesus in my hand, an' hab no fear.” “I hab lef‘ my wife in de land oa bondage; my little ones dey say eb'ry night, Whar is my fader? But when I die, when de bressed mornin‘ rises, when I shall stan‘ in de glory, wid one foot on de water an' one foot on de land, den, O Lord, I shall see my wife an' my little chil'en once more.” These sentences I noted down, as best I could, beside the glimmering camp-fire last night. The same person was the hero of a singular little contre-temps at a funeral in the afternoon. It was our first funeral. The man had died in hospital, and we had chosen a picturesque burial-place above the river, near the old church, and beside a little nameless cemetery, used by generations of slaves. It was a regular military funeral, the coffin being draped with the American flag, the escort marching behind, and three volleys fired over the grave. During the services there was singing, the chaplain deaconing out the hymn in their favorite way. This ended, he announced his text,--“This poor man cried, and the Lord heard him, and delivered him out of all his trouble.” Instantly, to my great amazement, the cracked voice of the chorister was uplifted, intoning the text, as if it were the first verse of another hymn. So calmly was it done, so imperturbable were all the black countenances, that I half began to conjecture that the chaplain himself intended it for a hymn, though I could imagine no prospective rhyme for trouble
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