Charles E. Stowe, Harriet Beecher Stowe compiled from her letters and journals by her son Charles Edward Stowe

[330] that conceptive faculty which belongs to the higher order of imagination, than the avidity with which “Uncle Tom” was read at the South. It settled the point that this book was true to human nature, even if not minutely so to plantation life.

If capable of so great a triumph where success must so largely depend on the sympathetic insight of her mere creative power, have we not a right to expect something far more in keeping with the requirements of art, now that her wonderful eye is to be the mirror of familiar scenes, and of a society in which she was bred, of which she has seen so many varieties, and that, too, in the country, where it is most native and original? It is a great satisfaction to us that in “The minister's Wooing” she has chosen her time and laid her scene amid New England habits and traditions. There is no other writer who is so capable of perpetuating for us, in a work of art, a style of thought and manners which railways and newspapers will soon render as palaeozoic as the mastodon or the megalosaurians. Thus far the story has fully justified our hopes. The leading characters are all fresh and individual creations. Mrs. Kate Scudder, the notable Yankee housewife; Mary, in whom Cupid is to try conclusions with Calvin; James Marvyn, the adventurous boy of the coast, in whose heart the wild religion of nature swells till the strait swathings of Puritanism are burst; Dr. Hopkins, the conscientious minister come upon a time when the social prestige of the clergy is waning, and whose independence will test the voluntary system of ministerial support; Simeon Brown, the man of theological dialectics, in whom the utmost perfection of creed is shown to be