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[70] the society, forbidding all such allusions in future. It made some sport at the time. I try not to be personal, and to be courteous, even in satire.

But I have written a piece this week that is making me some disquiet. I did not like it that there was so little that was serious and rational about the reading. So I conceived the design of writing a set of letters, and throwing them in, as being the letters of a friend. I wrote a letter this week for the first of the set, easy, not very sprightly,--describing an imaginary situation, a house in the country, a gentleman and lady, Mr.Howard and Mrs. Howard, as being pious, literary, and agreeable. I threw into the letter a number of little particulars and incidental allusions to give it the air of having been really a letter. I meant thus to give myself an opportunity for the introduction of different subjects and the discussion of different characters in future letters.

I meant to write on a great number of subjects in future. Cousin Elisabeth, only, was in the secret; Uncle Samuel and Sarah Elliot were not to know.

Yesterday morning I finished my letter, smoked it to make it look yellow, tore it to make it look old, directed it and scratched out the direction, postmarked it with red ink, sealed it and broke the seal, all this to give credibility to the fact of its being a real letter. Then I inclosed it in an envelope, stating that it was a part of a set which had incidentally fallen into my hands. This envelope was written in a scrawny, scrawly, gentleman's hand.

I put it into the office in the morning, directed to “ Mrs. Samuel E. Foote,” and then sent word to Sis that

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Annie Howard (2)
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