Charles E. Stowe, Harriet Beecher Stowe compiled from her letters and journals by her son Charles Edward Stowe

[446] the Guiccioli book to a Christian public as interesting from the very fact that it was the avowed production of Lord Byron's mistress. No efficient protest was made against this outrage in England, and Littell's “Living age” reprinted the “Blackwood” article, and the Harpers, the largest publishing house in America, perhaps in the world, republished the book.

Its statements — with those of the “ Blackwood,” “Pall Mall Gazette,” and other English periodicalswere being propagated through all the young reading and writing world of America. I was meeting them advertised in dailies, and made up into articles in magazines, and thus the generation of to-day, who had no means of judging Lady Byron but by these fables of her slanderers, were being foully deceived. The friends who knew her personally were a small, select circle in England, whom death is every day reducing. They were few in number compared with the great world, and were silent. I saw these foul slanders crystallizing into history, uncontradicted by friends who knew her personally, who, firm in their own knowledge of her virtues, and limited in view as aristocratic circles generally are, had no idea of the width of the world they were living in, and the exigency of the crisis. When time passed on and no voice was raised, I spoke.

It is hardly necessary to recapitulate, at any great length, facts already so familiar to the reading public; it may be sufficient simply to say that after the appearance in 1868 of the Countess Guiccioli's “Recollections of Lord Byron,” Mrs. Stowe felt herself called upon to defend the memory of her friend from what she esteemed to be falsehoods and slanders. To accomplish