Charles E. Stowe, Harriet Beecher Stowe compiled from her letters and journals by her son Charles Edward Stowe

[332] of a creed and that true partaking of the sacrament of love and faith and sorrow that makes Christ the very life-blood of our being and doing? And has not James Marvyn also his lesson to be taught? We foresee him drawn gradually back by Mary from his recoil against Puritan formalism to a perception of how every creed is pliant and plastic to a beautiful nature, of how much charm there may be in an hereditary faith, even if it have become almost conventional.

In the materials of character already present in the story, there is scope for Mrs. Stowe's humor, pathos, clear moral sense, and quick eye for the scenery of life. We do not believe that there is any one who, by birth, breeding, and natural capacity, has had the opportunity to know New England so well as she, or who has the peculiar genius so to profit by the knowledge. Already there have been scenes in “ The Minister's Wooing” that, In their lowness of tone and quiet truth, contrast as charmingly with the humid vagueness of the modern school of novel-writers as “ The Vicar of Wakefield” itself, and we are greatly mistaken if it do not prove to be the most characteristic of Mrs. Stowe's works, and therefore that on which her fame will chiefly rest with posterity.

The minister's Wooing was not completed as a serial till December, 1859. Long before its completion Mrs. Stowe received letters from many interested readers, who were as much concerned for the future of her “spiritual children,” as George Eliot would call them, as if they had been flesh and blood.

The following letter from Mr. Lowell is given as the most valuable received by Mrs. Stowe at this time:--