Charles E. Stowe, Harriet Beecher Stowe compiled from her letters and journals by her son Charles Edward Stowe

[469] shrubs, and the yellow jessamine climbs into and over everything with fragrant golden bells and buds, so that sometimes the foliage of a tree is wholly hidden in its embrace.

This wild, wonderful, bright and vivid growth, that is all new, strange, and unknown by name to me, has a charm for me. It is the place to forget the outside world, and live in one's self. And if you were here, we would go together and gather azaleas, and white lilies, and silver bells, and blue iris. These flowers keep me painting in a sort of madness. I have just finished a picture of white lilies that grow in the moist land by the watercourses. I am longing to begin on blue iris. Artist, poet, as you are by nature, you ought to see all these things, and if you would come here I would take you in heart and house, and you should have a little room in our cottage. The history of the cottage is this: I found a hut built close to a great live-oak twentyfive feet in girth, and with overarching boughs eighty feet up in the air, spreading like a firmament, and all swaying with mossy festoons. We began to live here, and gradually we improved the hut by lath, plaster, and paper. Then we threw out a wide veranda all round, for in these regions the veranda is the living-room of the house. Ours had to be built around the trunk of the tree, so that our cottage has a peculiar and original air, and seems as if it were half tree, or a something that had grown out of the tree. We added on parts, and have thrown out gables and chambers, as a tree throws out new branches, till our cottage is like nobody else's, and yet we settle into it with real enjoyment. There are all sorts of queer little rooms in it, and we are