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Having briefly mentioned one circumstance which is retarding us in the way of our literary prosperity, I shall now mention one from which we may hope a happy and glorious issue: It is the influence of natural scenery in forming the poetical character. Genius, to be sure, must be born with a man; and it is its high prerogative to be free, limitless, irrepressible. Yet how is it moulded by the plastic hand of Nature! how are its attributes shaped and modulated, when a genius like Canova's failed in the bust of the Corsican, and amid the splendor of the French metropolis languished for the sunny skies and vine-clad hills of Italy? Men may talk of sitting down in the calm and quiet of their libraries, and of forgetting, in the eloquent companionship of books, all the vain cares that beset them in the crowded thoroughfares of life; but, after all, there is nothing which so frees us from the turbulent ambition and bustle of the world, nothing which so fills the mind with great and glowing conceptions, and at the same time so warms the heart with love and tenderness, as a frequent and close communion with natural scenery. The scenery of our own country, too, so rich as it is in everything beautiful and magnificent, and so full of quiet loveliness or of sublime and solitary awe, has for our eyes enchantment, for our ears an impressive and unutterable

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Anthony Canova (1)
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