1 At the close of the SymposiumSocrates constrains Agathon and Aristophanes to admit that one who has the science (τέχνη) of writing tragedy will also be able to write comedy. There is for Plato no contradiction, since poetry is for him not a science or art, but an inspiration.
2 The rhapsode Ion is a Homeric specialist who cannot interpret other poets. Cf. Ion 533 C.
3 Cf. Classical Review, vol. xiv. (1900), pp. 201 ff.
4 Cf. Laws 846 E, Montaigne, “Nostre suffisance est detaillee a menues pieces,” Pope, Essay on Criticism, 60: “One science only will one genius fit,/ So vast is art, so narrow human wit.”
5 Cf. the fine passage in Laws 817 Bἡμεῖς ἐσμεν τραγωδίας αὐτοὶ ποιηταί, [Pindar]apudPlut. 807 Cδημιουργὸς εὐνομίας καὶ δίκης.
6 Cf. 386 A.
7 i.e., δημιουργοῖς ἐλευθερίας
8 Cf. 606 B, Laws 656 B, 669 B-C, and Burke, Sublime and Beautiful iv. 4, anticipating James, Psychology ii. pp. 449, 451, and anticipated by Shakespeare's (Cor. III. ii. 123) “By my body's action teach my mind/ A most inherent baseness.”
9 Cf. my paper on Φύσις, Μελέτη, Ἐπιστήμη, T.A.P.A. vol. xl. (1910) pp. 185 ff.
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