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ἀπεκρίνω: see on 313 a.
ὅτι: sc. μέλλω τελεῖν Ἱπποκράτει μισθόν.
Phidias, son of Charmides, the Athenian, whose creative art produced ideals of the gods, and Polycletus (cf. 328 c) of Argos, unequalled in the expression of human beauty, represent together the culmination of Greek plastic art. They were older contemporaries of Socrates.
τὸν Ἀθηναῖον: is added in contrast with Ἀργεῖον.
Hermann Sauppe. James A. Towle. Commentary on Plato: Protagoras. Ginn & Company. Boston and London. 1889.
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