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[594] Henry remarks with considerable taste, that the simile of the dolphins was almost required after that of the labyrinth, to bring out the conception of lively motion after that of lifeless artistic mechanism. There is a simile from dolphins in Apoll. R. 4. 933, where their gambols are dwelt on more in detail: “ὡς δ᾽ ὁπότ᾽ ἂν δελφῖνες ὑπ᾽ ἐξ ἁλὸς εὐδιόωντες
σπερχομένην ἀγεληδὸν ἑλίσσωνται περὶ νῆα,
ἄλλοτε μὲν προπάροιθεν ὁρώμενοι, ἄλλοτ᾽ ὄπισθεν,
ἄλλοτε παρβολάδην, ναύτῃσι δὲ χάρμα τέτυκται.

But Virg. has perhaps shown judgment in not describing their movements after having been so minute in representing the evolutions which he compares to theirs: he does little more than name them, and leaves his readers who have seen them to fill up the picture for themselves. For a similar instance of judicious reticence see on G. 3. 237. ‘Delphinum similes:’ apparently a solitary example of the use of ‘similis’ with a gen. in Virg. ‘Maria humida’ like “humida stagna” 12. 476.

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  • Commentary references from this page (2):
    • Apollonius Rhodius, Argonautica, 4.933
    • Vergil, Georgics, 3.237
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