[594]
Henry remarks with considerable
taste, that the simile of the dolphins was
almost required after that of the labyrinth,
to bring out the conception of lively motion
after that of lifeless artistic mechanism.
There is a simile from dolphins in Apoll. R. 4. 933, where their gambols are dwelt
on more in detail:
“ὡς δ᾽ ὁπότ᾽ ἂν δελφῖνες ὑπ᾽ ἐξ ἁλὸς
εὐδιόωντες
σπερχομένην ἀγεληδὸν ἑλίσσωνται περὶ
νῆα,
ἄλλοτε μὲν προπάροιθεν ὁρώμενοι, ἄλλοτ᾽
ὄπισθεν,
ἄλλοτε παρβολάδην, ναύτῃσι δὲ χάρμα
τέτυκται.
”
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