4.
The sanctuary of Kodros, Neleus, and Basile
IG I3 84 Athens, EM 10616 418/17 Plate 2
Complete stele found in winter of 1884-85 in house construction some distance south-east of Akropolis on left bank
of railway to Phaleron. All edges, tenon at bottom preserved. Mouldings above and below relief, most of sculpted surface rough-picked. White, medium-grained marble. h. 1.49, h. of relief 0.41, w. of relief 0.59 (top), 0.605 (bottom), w. of inscription 0.59 (top), 0.64 (bottom), th. 0.195 (top),
0.16 (bottom), h. of letters 0.01.
The decree, passed in the ninth prytany of the archonship of Antiphon (lines 2-3), concerns provisions for
enclosing and leasing various parts of the sanctuary
of Kodros, Neleus, and Basile in Athens. The stele
was to have been set up at public expense in the
Neleion, by the ikria (lines 27-28). (For other probable references to this shrine, see Pl.
Charmides 1 53a
and Agora I 4138: B.D. Meritt,
Hesperia 7 (1938) 123-26 no. 25.)
Although the entire stele is preserved, the relief has
been systematically rough-picked, probably for reuse
of the stone. Only two small areas of very low relief
survive undamaged, but the general outline of the
original composition is still to some extent visible. At
the left a seated figure faces right, its left arm raised
high as though holding a spear or sceptre. Both that
hand and what appears to have been the crest of the
figure's helmet overlapped the moulding above the
relief. The figure is usually described as bearded, but
this may be only the impression created by damage
to the area around the head. At the right, facing the
figure on the left, is a figure on a rearing horse whose
head and forelegs are clearly visible in outline. The
end of the horse's tail and part of the rider's chlamys
are still preserved in very low relief at the far right.
The chlamys flies out behind the rider in several folds
ending in omega-shaped loops at the hem, a motif
that occurs in some figures of the Nike Temple frieze
(Blümel, pls. V, VI) and on the gently fluttering veil of
Hera on no. 5.
Because so little is known about the cult and the
relationship between Kodros, Neleus, and Basile, and
because both figures are so badly damaged, any reconstruction of the relief must be conjectural. It has
sometimes been assumed that the sanctuary was
chiefly associated with Neleus because the inscription refers variously to the ‘the Neleion’ (lines 27-28), ‘payments to Neleus’ (lines 21-22), and the ‘temenos of Neleus and Basile’ (lines 12, 29, 32), but it is clear from the text as a whole that these are
references only to various parts of the sanctuary and
the provisions for them; Kodros is always mentioned
first in references to the sanctuary as a whole (lines 4,
14, 30-31).
Neleus is a shadowy figure and difficult to characterize. Most representations of him come from Italy,
where he often appears with his mother Tyro and his
twin Pelias in the recognition scene from Sophokles'
Tyro (L. Séchan,
Études sur la tragédie grecque dans ses rapports avec la céramique [1926] 224 n. 9), but he
is not depicted as a rider, and these scenes can have
nothing to do with the relief in question. It is unclear
whether in Athens he was equated with the Pylian
Neleus, father of Nestor and ancestor of Kodros, or
with the Neleus who was a son of Kodros and founder
of Ionian cities (Hdt. 10.97). H. A. Shapiro (
Ancient
Greek Art and Iconography) has suggested the possible political significance of the Neleids to their
descendants the Peisistratids in the Archaic period,
but the only Attic representation of Neleus is a late
fifth-century vase fragment of the recognition scene
(
Hesperia 24 [1955] 78-79 and pl. 34a).
Basile, sometimes confused with Basileia, is also
obscure; the only fifth-century representation of her
is a labelled figure on a late fifth-century rf pyxis that
has not yet been fully published (O. Alexandri,
ArchDelt 31 B.1 [1976] 30, pl. 35a). She is certainly
also the female figure in the relief of a deme decree of
Eitea of 332/31 (no. 43), which was to have been set
up in a sanctuary of Basile, and she is listed in the
sacrificial calendar of Erkhia of ca. 375-50 (G. Daux,
BCH 87 [1963] 621). There is nothing in these sources
to associate her with either of the figures in the document relief. (The inscription of the so-called Echelos-Basile relief [
NM 1783] clearly reads ‘Iasile’: O. Walter,
ArchEph [1937] A 113; B. D. Meritt,
Hesperia 11
[1942] 284-85. For the distinction between Basile and
Basileia, see Shapiro,
ZPE.)
Kodros, in contrast, seems to have been a more
popular figure in fifth-century Athens. He appears
with the Eponymous and Marathonian heroes in
Phidias' Marathon monument at Delphi, probably
dating from the 450s (
Paus. 10.10.1; Kron,
Phylenheroen, 215-17; E. B. Harrison, ‘Eponymous
Heroes’, 81-83), and as a fully armed warrior on the
name vase of the Codrus Painter of ca. 430 (
Bologna,
Mus. Civ. PU 273:
ARV2 1268.1; Kron,
Phylenheroen,
pls. 15.1, 16.1 and 2). In the late fifth century it is
possible that the importance of Kodros, the Athenian
king who sacrificed himself to the Peloponnesians in
order to save Athens (Lykourg.
Leokr. 84- 87), had
eclipsed that of Basile and Neleus and that, as the
most politically significant of the three cult personages, he would have been the most likely subject for
a type of relief that had largely political associations.
If the rider in the relief is Kodros, the figure opposite
him is as likely to be Athena as either Basile or Neleus.
She is present in most fifth-century document reliefs,
and the general outline of the figure on the left resembles that of the seated Athenas that were so common in document reliefs of the late fifth and early
fourth centuries (cf. nos. 2, 11, 71, 72, 87, 90, 91).
S. A. Koumanoudes,
ArchEph (1884) 161-66, pl. 10 (drwg.);
A. Frothingham,
AJA 1 (1885) 228, 469; E. Curtius,
SBBerl
(1885) 437 =
Gesammelte Abhandlungen I (1894) 459-64;
J. R. Wheeler,
AJA 3 (1887) 38-49;
IG I Suppl. pp. 66-67
no. 53a, 165;
IG I2 94, Add. p. 302;
SIG3 93; Binneboeßel,
4 no. 8, 20, 23, 32, 43; B. D. Meritt,
AJP 57 (1936) 180-82;
O. Walter,
ArchEph (1937) A 114 n. 1; M. Giffler,
Hermes
75 (1940) 215-22; Meritt,
CQ 40 (1946) 45-46;
SEG 10.103;
Dohrn, 17; R. E. Wycherley,
BSA 55 (1960) 60-66;
SEG
19.18; Sokolowiki,
Lois sacrées des cités grecques (1969) 28-30 no. 14; D. Behrend,
Attische Pachturkunden (1970) 55-61; A. Kaloyeropoulou,
ArchDelt 25 A (1970) 209 n. 14;
Travlos, 332-35, figs. 435, 436;
SEG 25.36; Mitropoulou,
Corpus I, 173 no. 10, fig. 84; H.A. Shapiro, in W. Moon
(ed.),
Ancient Greek Art and Iconography (1983) 87-96;
SEG 33.14;
SEG 35.7 and 110; Shapiro,
ZPE 63 (1986) 134-36;
LIMC III, 674-75, s.v. Echelos (A. Kossatz-Deissmann);
SEG 36.15 and 38; N. D. Robertson,
GRBS 29 (1988) 224-30; Meyer, 267 A 7, pl. 6.1;
SEG 38.5.